Mum and Me on Zoom

Mum and Me on Zoom, 2021
20×30, pigment ink print on canvas, with AR extension powered by Artivive

This portrait of my mother was painted from life in a series of real-time sittings over Zoom. Due to the time difference between her location (London) and mine (San Francisco), such that my morning is her evening, we started our sessions at 7am Pacific to catch the late afternoon light coming through her net curtains in her front room in North London. I used an iPad Pro, Apple Pencil and Procreate app.


This video below shares the time-lapse replay of the creative process plus some of our conversation.

Flamenco Flare!

”Flamenco

This painting depicts Flamenco dancer La Emi performing at the historic Scottish Rite Temple, Santa Fe (a beautiful building modeled after the Alhambra in Spain). The source photograph was taken by me as part of my 2012 workshop titled “Painting the Passion of Flamenco” that I taught through the Santa Fe Photographic Workshops. In the background you see two accompanying musicians, Chuscales (right) and Joaquin Gallegos (Left), and La Emi’s dance partner Juan.

I created this painting as a demonstration project during a PainterLab session, January, 2021, using ‪Corel‬ ‪Painter 2021‬ on an MacBook Pro with a ‎Wacom‬ Intuos Pro M. The main brush I used in Painter was the Heavy Texture Knife, an example of a Thick Paint brush. You can see how the painting evolved in the PainterLab recording posted on PaintboxTV.com.

My series of Flamenco-inspired artworks includes:
Duet in Red
Intertwined
Flamenco Flare!
Flamenco Fiesta at El Farol
Flamenco Jam

Stacy


Stacy, pigment ink on canvas

This collage portrait is a tribute to Stacy. The portrait contains a collage of 14 images reflecting Stacy’s life including her calligraphy, a code language she created for a school project, an image of her as a child, a crystal orchid given to her by her husband when she received her double lung transplant, a bride, her and husband as newlyweds, her in Spain on her honeymoon, a Lifetime Achievement Award she received from an entertainment industry association, her favorite gummy bear candy, her favorite Minion movie character, her career at NBCUniversal, her favorite Hollywood Bowl concert venue, a globe representing her love of travel, and her favorite restaurant Nouveau Cafe Blanc.

 


Details of the artwork

Christmas Over London

This sketch of the London skyline with a Christmas touch (notice Father Christmas and his sleigh in the top right corner) was created especially for the 57th Annual Christmas Virtual Celebration & Fundraiser of the British American Business Council Northern California. I used an iPad Pro, Apple Pencil and the Procreate app to create the artwork. The video shown below was played during the celebration and guests were invited to email me a list of the iconic London landmarks they could spot within the artwork. The first to respond received a prize (congratulations Maya!)




Spoiler Alert: if you want to try this yourself don’t read the next paragraph!


The landmarks featured in this sketch include, roughly moving from left to right: The SSE Arena, Wembley (formerly The Wembley Stadium); BT Tower (formerly the Post Office Tower); The Palace of Westminster; Big Ben; Westminster bridge; The London Eye (formerly The Millennium Wheel); Nelson’s Column; St. Paul’s Cathedral; The Millennium Bridge, officially known as the London Millennium Footbridge; Tower of London; Tower Bridge; The Shard; The Onion (City Hall); The Gherkin; The Walkie Talkie; and The O2 Arena (formerly the Millennium Dome).

Quill the Duo – Live Art Collaboration

This sketch of the Atlanta, GA, based Quill the Duo was created live over Zoom (from 3,000 miles away!) while the duo, Elizabeth Grimes and Steph Hughes, played songs from their new Christmas EP at their live-streamed release celebration. Their EP includes the title track “Hard Times : Tidings of Comfort”. I used an iPad pro, Apple Pencil and the Procreate app. This event came out of a chance meeting in Atlanta Hartfield Airport when I was changing planes en-route to an event and heard Elizabeth playing keyboards and singing. We kept in touch and she and Steph kindly invited me to be part of their special celebration.

Here’s the Zoom performance (39 minutes, starts with Elizabeth’s gracious introduction):



Here’s a time-lapse replay of my sketch:



Thanks, Jeremy Hughes, for tech support!

“’Twas the Night Before Christmas”



“A Visit from St. Nicholas”, more commonly known as “The Night Before Christmas” and “’Twas the Night Before Christmas” from its first line, is a poem first published anonymously in 1823 and later attributed to Clement Clarke Moore, who claimed authorship in 1837. Events producer and vocalist Natasha Miller (founder of Entire Productions) asked me to create an original animated artwork (I call this a “Paintermation”) to illustrate the live recording (originally made in 2007) of Natasha’s father, Martin Miller, making his debut appearance with a reading of “’Twas the Night Before Christmas”, over an improvised musical background by pianist Josh Nelson and drummer Tim Bulkley. This recording is from Natasha’s album The Season. This video is also published on YouTube.

This video was included in Natasha’s live streamed Holiday Concert on December 23rd, 2020 (Click here for the full playlist from the concert as shared on YouTube.).

The words of “’Twas the Night Before Christmas”:

‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her ‘kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
“Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donner and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!”

Music, voice and art in this video © 2007 – 2020 All Rights Reserved

“Drawing as Dancing”
at Cat’s Corner SF

Thank you, Nathan Dias, for inviting me to share a little live digital drawing demo on the online version of Cat’s Corner SF, a weekly Lindy Hop dance event featuring dance classes, socializing and live music. In this demo I share the parallels I experience between drawing and dancing. I started with a sketch based on a clip of Lindy Hop legends Norma Miller and Frankie Manning social dancing in the 1980s and then I did a quick sketch of the featured band, Nick Rossi and His Swing Four, as they played live from Mr. Tipple’s. Both artworks are shown below as well as in the video above. Enjoy! My artworks are available on ArtMasks and as prints.

Norma and Frankie

Nick Rossi and His Swing Four at Mr. Tipple’s

Figure Drawings with iPad Pro, Apple Pencil and Procreate

Behind all my art is drawing – the expression of what I see in rapid, loose marks that flow directly from intense observation. I started drawing the figure from life at the Ruskin School of Drawing and Fine Art, Oxford University, in 1979. The short gestural “warm-up” poses are frequently the most dynamic and I always loved the challenge of capturing the essence of what I saw in a few quick marks on the paper.


Amanda, 2020


Amanda and Jon, 2020


Amanda, 2020


Maria, 2020


2020


Nicole, 2020


Jenny, 2020