Mobile Art Exhibition Grand Opening and iPad Figure Drawing
mDAC Summit 2017




At the Mobile Digital Art Exhibition Grand Opening (August 11th, 2017, Pacific Art League, Palo Alto) with my iPad sketch of Happy Menocal

The juried Mobile Art Exhibition included, as you see in the photo above, my iPad sketch of fellow artist Happy Menocal.


Happy Menocal Sketching at Opening of the new Apple Store Union Square
Time-lapse replay, 2016, iPad Pro, Apple Pencil, Procreate



Teaching the iPad Figure Drawing Class at the mobile Digital Art & Creativity Summit (mDAC17) in Mountain View, on August 13, 2017, with model Kassamira (and approximately 60 students).

In my class we drew from the model and explore movement, shape, line and tone, starting with short and moving poses and ending with longer poses. We used the app Procreate.

On the artistic side, we honed observational skills, experienced capturing the essence of a pose with rapid gestures, and worked with positive and negative shapes, and use of line and value contrasts. On the technical side, we learned how to import and transform backgrounds; choose, adjust and customize brushes and brush looks; work with layers; and playback, save and share the entire creative process as a time-lapse replay video. Here are a few examples of artworks created during the session:

Gestures by Alan K.

Focus on positive and negative space by Alan K.

15m drawing by Alan K.

5m drawing by Caroline Mustard

5m drawing by Rhoda Draws

See the posts from my earlier mDAC Figure Drawing Classes at mDAC 2015 and mDAC 2016.


Teaching the iPad Figure Drawing Class at mDAC15 with model Inky

NOTES

Class prep:

1. Install Procreate
Please make sure you have the latest version of Procreate installed on your iPad ahead of time.

2. Have a Stylus
If you have an iPad Pro then the Apple Pencil is a must, and that is the combination I highly recommend! The iPad Pro and Apple Pencil are an mobile artist’s dream combination! If you are using a older / different model of iPad that doesn’t work with the Apple Pencil, then see my iPad Art Tools page for other stylus recommendations.

3. Pre-Charge Your iPad and Stylus
Please ensure you fully charge your iPad and, as relevant, your stylus, overnight before class.

4. Label Your Equipment
Please clearly label everything, especially your iPad and stylus/es, with your name: it’s very easy to accidentally pick up someone else’s stylus.

5. Make a Dedicated Art Apps Home Page
I recommend organizing your art apps and grouping them together in a dedicated art apps “home page”. As you swipe from one home screen full of app icons to another, these pages are what I am referring to as “home pages”. Some may prefer grouping art apps into a folder. You can move app icons around, including from one home page to another, by pressing and holding on any icon until they all shake. Once they are shaking you can drag the app icons from one position to another, and when you drag them to the edge of a screen they jump into the adjacent home page. To stop them shaking, click on the home button, the round depression at the bottom of the iPad below the screen.

6. Place Your Settings, Photos and Camera Icons in Your Dock
Using the same technique for moving app icons around, I recommend making sure your dock includes the Settings (looks like a set of gears), Photos (looks like a multi-colored flower) and Camera app icons. The Dock is the row of icons you see at the bottom each home page, that remain the same whichever page is being viewed.

7. Capture and Organize Backgrounds
With your iPad please photograph some thick fine art papers, distressed walls and all sorts of interesting textures and surfaces. Then select these in your Camera Roll, choose Add To, create a new album called Backgrounds, and save them into this album. We’ll be making use of them in class.

Ten handy drawing tips:

1. Look before / as you draw

2. Make every mark meaningful & intentional

3. Be committed to your marks (no undo / redo)

4. Draw fast – don’t fuss or worry about mistakes

5. Draw loose – have fun, be fluid and flow

6. Start with big, bold statements

7. Use all your paper – draw to / off edges

8. See as an abstract – the positive and negative
shapes in and around your subject/s

9. Go for the feel, the lines of force, of the pose –
imagine holding that pose yourself

10. Less is more – suggest and be selective – ok
to leave unfinished and incomplete

Johanna



Portrait of Johanna created from life in Mission Burrito in Oxford, UK. Johanna is a fellow Lindy Hop dancer who was also attending the Oxford Lindy Exchange (a swing dance weekend event). This drawing was created on an iPad Pro 12.9″ using an Apple Pencil and Procreate app. A group of us went to the Mission Burrito opposite the Oxford Union where the Lindy Exchange had taken place at the end of the event. I love the flexibility and portability of the iPad as an “on the road” sketching tool that I can use anytime anywhere. It facilitates spontaneity, as in this case. It also is a nice way to share the joy of digital paint magic – especially when I show the time-lapse replay at the end of the process!

Live iPad Portraits
MURAL Festival 2017, Montréal

This video shares samples of some of the artworks I created when I was invited to draw live iPad portraits of VIP Influencers in the Sonnet VIP Hospitality Station at the MURAL Festival 2017 in Montréal, Canada. You’ll get a sense of the incredible creative energy and atmosphere. Each portrait subject received a digital copy of their portrait immediately on completion, plus a time-lapse replay of the process. I’ve included the Influencers’ social media handles in the video and listed them below for convenient copy and paste. Check their wonderful Instagram feeds!

You were an absolute pleasure to work with, and I hope to work with you again on future events.
~ Jordan J.

Jeremy and P.O. with P.O.’s portrait!

Here are the portraits in the order they appear in the video, with the social media handles of the VIP Influencers:

@oliverdoor

@lysandrenadeau

@lolittadandoy

@pobeaudoin

@justinedufourlapointe

@chloedufourlapointe

@maximedufourlapointe

@aniklacasse

@mikechabotfitness

@heydahye

@mllegeri

@the_french_0ne

@robertsval

@eatdrinkbcarrie

The hashtags for this event included:#Mural2017 #OptimismCan #AvecOptimisme @sonnetinsurance @sonnetassurance

In preparation for painting these portraits I created a custom background to paint over. The background included elements of the Montréal skyline and used client-specified colors. Besides being the background of my portraits, it was also used at the event as a photo backdrop. You can see examples of the photos posted with this background by looking at the #OptimismCan and #AvecOptimisme hastags on Instagram.

A big thank you to the entire Sonnet team and partners who were such a pleasure to work with, and to all the wonderful subjects who kindly sat for their portraits during the MURAL Festival.

Video Credits:
Intro segment (up to 00:22s) includes clips from the MURAL Festival 2017 video.
Production: ABCDF
Music: BŌYS TALK – Ascension
Timelapse/Motion: Loïc Romer
At the 00:23s mark there is a short animated sequence that shows what the Sonnet-sponsored mural “Black Moon” by muralist INSA looks like when seen through INSA’s Gif-iti AR app.
From 00:23s through end of video:
Production: Jeremy Sutton
Music: “The Cupid Shuffle” DJ Baddmixx from the album Baddmixx Exclusives Volume 1

Painting the Night
Welcome Party, Las Vegas

Live painting the scene at a company conference welcome party in Las Vegas, Nevada. What you see unfold here in 30 seconds was painted over three hours, projected on large screens to the left and right of a main stage.


The final artwork created live during the evening using an iPad Pro, Apple Pencil and Procreate app.

Here are photos from the event:

Ying Quartet at the Kohl Mansion


Jeremy Sutton, Ying Quartet at Kohl Mansion, 2017, iPad Pro, Apple Pencil, Procreate

This drawing was created on February 12th, 2017, from life during a concert of the Ying Quartet at the historic Kohl Mansion, part of the Music at Kohl Mansion program. This drawing was created in the second half of the concert when they played Beethoven’s String Quartet in C Major, Op. 59, No. 3, “Ruzumovsky”.

Replay video showing how the drawing progressed from start to finish.

Open Studio Art Exhibition
Spring 2017

My Spring Open Studios Art Exhibition was part of a weekend where hundreds of artists open up their studios to the public throughout the Mission district in San Francisco (Mission Artists United web site). Within the historical industrial building in which my studio is located, 1890 Bryant Street Studios, around 70 artists showed their work. I showed my latest creations, digital and non-digital, ranging from live iPad portraits and drawings of musicians to traditional figure drawings and an on-going acrylic portrait (the Friday night reception live demo performance shown above). Each day of the show I created a live iPad portrait of a visitor. Here are the three portraits.

iPad sketch of Armistead (iPad Pro, Apple Pencil, Procreate)

Armistead being drawn

iPad sketch of Rachael (iPad Pro, Apple Pencil, Procreate)

Rachael being drawn

iPad sketch of Leece (iPad Pro, Apple Pencil, Procreate)

Leece being drawn

Great group of artists in our building!

(13m 25s) Stories behind some of the artworks that were displayed at my Spring Open Studios Art Exhibition.

Below is an iPad sketch I’d made earlier of Sarah playing the harp:

Jeremy working on his painting of Shahasp in a live art performance to the musical accompaniment of harpist Sarah Lamb (photography by Jay Cunanan)

Shahasp on Canvas

Shahasp, 2017

48″ x 48″, acrylic on canvas
Available for sale $12,000 (contact Jeremy to purchase)

I invited Shahasp to participate in an open-ended collaborative creative project. I wanted to work on a traditional media portrait slowly over time, in contrast to most of my very fast digital work. I took the time to work on this slow projects on a regular basis, roughly once a week for about two hours, without a deadline, without the pressures of a commissioned artwork, without trying to please anyone, and with open expectations and a willingness to take risk. The only boundary condition I set myself was the commitment that every mark I make during the entire process is made from direct observation while my model is sitting in front of me. No photographic reference was used. This artwork ended up taking about ten months, starting August, 2016, and ending March, 2017. Click here if you’d like to see the next “slow project” I am working on with Shahasp, this time on paper.

March 31st, 2017 – Live Demo at Spring Open Studios

Jeremy working on his painting of Shahasp in a live art performance to the musical accompaniment of harpist Sarah Lamb (photography by Jay Cunanan)

March 13th, 2017

This painting, plus some of the preparative studies, were displayed at my Open Studios exhibition, March 31st – April 2nd, 2017, which included a live demo working on the portrait with Shahasp sitting in person. Last Thursday I went to see the fabulous Matisse/Diebenkorn exhibition at SFMOMA and was definitely influenced and inspired by what I saw there as I worked on the portrait today. May have overdone the thick black lines, but can always transform those later. Added some geometric elements (verticals, diagonals, blocks and so on) in the corner areas that had been a little neglected up to now. That’s a corner of my canvas itself now showing in the lower right (picture within picture)…Feel that the artwork is starting to transition from a sketch or study to an actual painting… Still lots to do!!

March 6th, 2017

February 27th, 2017

January 23rd, 2017










December 5th, 2016











November 28th, 2016

Starting to work into the shapes. Taking a month long break (actually six weeks) and then taking a fresh look really makes me realize all the things not working! As I moved around the canvas with my palette knife I realized how much my view of the scene changes, even with just a few feet of movement. That constantly changing perspective is also what I love about drawing/painting from life – it’s a variety of views that no single photograph could ever capture. Working from a flat photo could never approach the movement and change in painting from life. My changing view of my subject as I move is challenging yet also refreshing! I also noticed the different light coming through the window and how it highlighted the scene in such different way to a month ago: the sun now lower in the sky as we transition from autumn to winter…
~ Jeremy



November 28th, 2016


October 17th, 2016

48″ x 48″ acrylic on canvas


October 10th, 2016

48″ x 48″ acrylic on canvas


One of my favorite parts of this process of sitting for a portrait is the evolution of it…how unexpected the portrait is. Each week I’m delightfully surprised by what unfolds. I love the depth of the texture and how much it lends itself to the character of the whole painting. I love the bright colors!
~ Shahasp


I love this process.. the voyage of discovery, of allowing the journey to flow and accepting the unexpected turns and twists along the way. I love the commitment to the journey.. an open-ended exploration and creation. I love getting to know my subject, Shahasp, better with each sitting.
~ Jeremy


The scene.. – October 10th, 2016



The painting so far… – October 10th, 2016

Underpainting – August 15th, 2016

48″ x 48″ acrylic on canvas


I knew texture was very important to me in this artwork. I decided to create my ‘ground’ with thick palette knife application of Titan Buff acrylic paint. As I applied the paint I looked at my subject and essentially painted the entire scene in impasto textural relief. I liked how it looked without any color – I could see the whole composition in the light and shadow of the texture. As an unexpected side product it was also a fabulous surface to capture for my iPad backgrounds!
~ Jeremy


Full scale compositional study – August 15th, 2016

48″ x 48″ graphite on paper


I decided on 48×48. It just felt right. My next step once I’d made that decision was to work on the compositional decisions: what scale to place Shahasp within the edges, where to place her vertically and horizontally, what symmetry/asymmtery to work with and what to have flowing off, and cut off by, the edges of the composition?
~ Jeremy


Shahasp sitting – study on canvas – August 6th, 2016

24″ x 36″ acrylic ink on canvas


The studies led into working on a 24 x 36 stretched canvas. I was inspired by the wonderful colors, shapes and patterns of Matisse’s work. I soon found, though, that I felt cramped in the space on the canvas, both with respect to overall dimensions as well as with regard to the aspect ratio. I knew I needed to work bigger! This 24 x 36 study is available for purchase for $6,500 (contact Jeremy to purchase).
~ Jeremy


Quick study on paper – August 1st, 2016

18″ x 24″ oil stick and pencil on paper


I started with drawing a couple of quick studies on 18 x 24 paper. This helped me get to know my subject and my composition…
~ Jeremy


Quick study on paper – August 1st, 2016

18″ x 24″ pencil on paper

Today at Apple
Live Art on 6K Video Wall
Apple Union Square







On March 4th, 2017, I sketched live on the 6K video screen in the Forum area of the beautiful new Apple Union Square in San Francisco, one of the early Today at Apple featured artists at that location. I used the iPadPro, Apple Pencil and the Procreate app.

I created two live artworks at this event, the first a depiction of the scene looking out through the magnificent large (two storeys high!!) windows onto Union Square, and the second a portrait of one of the visitors to the store that afternoon, Victor who was visiting from New York City. Thank you to the Apple team for inviting me to draw live on their wonderful 6K video wall and share my process with their visitors. It was great to see everyone just pick up an iPad and start sketching! Thanks also to Sumit and Caroline (co-founders and co-organizers of the annual mobile Digital Art & Creativity Summit in Palo Alto where I have been a speaker the last three years) for the I (heart) mobileart t-shirt I wore for this event!

Here (below) are the final artworks plus some photos and videos of the scene to give you an idea of the atmosphere.











The iPad sketch below depicts New York-based artist Happy Menocal who I drew as she drew at the opening of the same Apple Store on May 21st, 2016 (see iMore article).

Here is the replay video showing how the drawing process of my portrait of Happy progressed from start to finish:


Photo above shows me drawing Happy as she draws. Her drawing is projected on the beautiful 6K screen they have in the Forum section of the store.

Here are some more photos from that day to give you an idea of the atmosphere and how amazing the new store is!


This photo shows the monumentally huge two-storey high glass doors slowly closing at the end of the day. A sight worth seeing!



As I walked away from the Apple Store that evening I looked back up Powell Street, saw a cable car pass me and took some reference photos with my iPad. Click here to see “Cable Car on Powell”, the painting I created based on those photos.