Lights on Mid-Market

Lights on Mid-Market 2009 36" x 52", pigment ink and acrylic on canvas
Lights on Mid-Market
2009
36″ x 52″, pigment ink and acrylic on canvas

San Francisco Mayor Gavin Newsom viewing the painting during the official public launch of the mid-Market area Art in Storefronts program.
San Francisco Mayor Gavin Newsom viewing the painting
during the official public launch of the Mid-Market area Art in Storefronts program.

This painting depicts a vibrant, exciting, bustling evening in the Mid-Market theater district of San Francisco. It features three of the magnificent art-deco style theaters that this area of the city is home to: the Warfield, the Golden Gate and the Orpheum. The Warfield Theater was once a sister Fox theater to the stunning Fox San Francisco further up Market Street and the Fox Oakland across the Bay. My Fox Oakland painting, created to celebrate the reopening gala of the beautiful Fox Oakland, shows the positive impact of the lighting up of the glorious marquees above these historic theaters. The bill-board depicted in the painting shows the fabulous New Orlean’s trombonist Trombone Shorty.

David Addington (on right), the owner of the Warfield Theater and the driving force behind Prop D, and I outside Show Dogs, the new gourmet hot dog place with an exceptionally fine selection of speciality beers.
David Addington (on right), the owner of the Warfield Theater and the driving force behind Prop D, and I
outside Show Dogs, the new gourmet hot dog place with an exceptionally fine selection of speciality beers.

I originally created this artwork in support of Proposition D which, though it did not pass, was intended to establish a new Mid-Market Sign District between Fifth and Seventh streets on Market Street in the center of San Francisco, allowing beautiful theater marquees, like that of the Golden Gate Theater and Warfield, and other signs in that area, to spring to life once again. For those not familiar with San Francisco, these two blocks, which once were a popular destination, have unfortunately been for many years a sad blight, full of abandoned properties, boarded up store fronts and the homeless living on the streets. Thankfully that situation is now slowly turning around, as I mention below. When I taught a Painter workshop at the Ramada Plaza Hotel (now the Whitcomb Hotel) on Market and Eighth in 2003, the wife of one of my students, on her first visit to San Francisco, walked along this section of Market Street and felt so threatened she daren’t go out again on her own the rest of the week.

Show Dog’s Seth Carter and I looking at the painting.
Show Dog’s Seth Carter and I looking at the painting.

View of the painting with the Golden Gate Theater in the background. The mysterious wrapped figure on the roof is part of the Arts in Storefronts program.
View of the painting with the Golden Gate Theater in the background.
The mysterious wrapped figure on the roof is part of the Arts in Storefronts program.

goldengatedetail-02-600

As I explained above, I created this painting back in 2009 to depict the vision of a vibrant, exciting, bustling evening in the Mid-Market theater district of San Francisco. It was my hope that that neighborhood would be able to return to the elegance and vibrancy that historically it once embodied. Now, seven years later, in 2016, that transformation in the Mid-Market district is slowly happening. Thus when ArtspanSF‬ sent me the ‪#‎SFPublicCanvas‬ call for art relating to the question of “How can we build a future for the Market/Tenderloin neighborhood that addresses the issues facing the area today?” I thought immediately of this artwork. #SFPublicCanvas is a large scale public performance event planned for June 16-19, 2016. Projection art will be displayed on the exterior of Hastings College of the Law on Golden Gate Ave, serving as an environment for a vertical dance performance by Bandaloop, with aspects of the animation triggering, and being triggered by, the performers. The “canvas” for the performance will be a video projection of compiled art submissions that reflect the community’s hopes and aspirations for the future of the Mid-Market and Tenderloin neighborhoods. Sounds like it’ll be a very cool event! This painting was originally created using Corel Painter and a Wacom pen tablet on a Mac. It was then printed on canvas and acrylic paint was added. The fact it bridges digital and non-digital media seems to fit with the digital / non-digital contrasts of the Mid-Market neighborhood as tech companies rub shoulders with traditional art stores and theaters; and tech workers, tourists, residents and the homeless all pass each other on the street.

Location photos were taken by Peggy Gyulai.

Summer Afternoon

Summer Afternoon 2005 Mixed media on canvas, 38" x 63"
Summer Afternoon
2005
Mixed media on canvas, 38″ x 63″

This painting is based on a scene I witnessed at the Great Gatsby Afternoon at Dunsmuir House in Oakland, a journey back into the 1920s organized by the Art Deco Society of California. You can see details from the painting and the original photograph below (scroll down).

summer-det1-man_000

summer-det1-table_000

summer-det1-dancer

summer-det1-couple

summerafternoonframed-03-crop600_MG_9670

summerafternoonatannas-07-crop2-400_MG_8072

To purchase the original painting please either call 415-641-1221 or email jeremy@jeremysutton.com.

Misty Waterfall at Guangzhou

Misty Waterfall at Guangzhou
Misty Waterfall at Guangzhou
2009
24″ by 36″, acrylic and pigment ink on canvas

This painting was inspired by a photograph I took in GuangZhou, China. The chop (red stamp) on the upper left is my name phonetically recreated in ancient Chinese characters. The poem on the lower right is inscribed in the rock next to the waterfall and means, roughly, a good friend is never distant.


Misty Waterfall at Guangzhou on display at the Gatsby Summer Afternoon 2010
Misty Waterfall at Guangzhou on display at the Gatsby Summer Afternoon 2010

Avalon Olds

”Avalon

Avalon Olds
2014, 36″x 26″
This painting depicts a 1956 Oldsmobile convertible parked outside the classic historic Avalon Hotel at 700 Ocean Beach Drive in South Beach, Miami. The hotel was built in 1941 in the late Art Deco style (in the subcategory of Streamline Moderne) and was designed by architect Albert Anis, renowned for designing many Art Deco buildings in Miami Beach and Chicago. The painting is based on photos I took when walking along South Beach early one morning. I was inspired by quality of light, the color and shapes of the buildings, the style and character of the car, the reflections in the windows, the exuberance of the palm trees, and the distorted forms of the shadows on the road. The final artwork is a mixed media painting which included the use of Corel Painter with Impasto brushes for the digital paint portion of the creative process.

Here’s the painting framed.

”Avalon

This painting is part of my Miami Beach Art Deco Series which currently comprises:
Avalon Olds
Beacon Bel-Air
Breakwater Chevy
Majestic Kaiser
Ocean Surf Caddy
Park Central Olds

January 2014

Breakwater Chevy

”Jeremy
Breakwater Chevy
2014, 36″x 26″
This painting depicts a 1955 Chevrolet Bel Air parked outside the historic Esplendor Breakwater Hotel at 940 Ocean Drive in South Beach, Miami. The hotel was built in 1939 in Art Deco / Mediterranean style. I was inspired by the relationship between the style and colors of the classic car that was parked outside the hotel every day and the building and palm trees behind it, and the play of warm yellow light that filtered through the trees onto the hotel wall. There were usually so many modern cars parked alongside the Chevy that in the end I got up very early one morning and caught the scene when only the ’55 Chevy was parked there…

This painting is part of my Miami Beach Art Deco Series which currently comprises:
Avalon Olds
Beacon Bel-Air
Breakwater Chevy
Majestic Kaiser
Ocean Surf Caddy
Park Central Olds

January, 2014

Drawing of Joe

”Joe

“Joe”, 2014, 9″ x 9″, 2B Grumbacher Pentalic Woodless Pencil on Fabriano CFM Ingres 90 gsm acid free paper

This drawing is a result of simple pleasures: sitting outside in the Coffee Bar patio one morning with an excellent caffe latte while sketching my good friend Joe. The simple pleasure of making a sketch from direct observation of a subject, as a opposed to drawing from a photograph, cannot be underestimated. It’s something I encourage everyone to do! In this case part of the pleasure was leaving lots of empty space on the page and deciding when enough was enough…

”Joe

”Joe

”Joe

January, 2014

Drawing of David Rubinger

”David

“David Rubinger”, 2014, 9″ x 9″, 2B Grumbacher Pentalic Woodless Pencil on Fabriano CFM Ingres 90 gsm acid free paper

I was recently invited to teach at the FOTOfusion 2014 conference at the Palm Beach Photographic Center in West Palm Beach, Florida. As I walked into the exhibition area on the first evening I was stopped in my tracks by an incredibly moving, personal and powerful set of photographs on display, “My Eye on Israel” by David Rubinger (available as a beautiful coffee-table book and as an iBook which includes videos). I had the great pleasure of meeting David and then drawing him. The finished drawing is shown here (above) plus some documentation of the process (below).

”David

”David

”David

As I walked around the exhibition of David’s photographs one in particular seemed very familiar: the photograph of the bloodied song sheet with the “Song for Peace” that assassinated Israeli Premier Yitzhak Rabin had just sung and was in his pocket when he was shot. David photographed it the next morning. It was that photograph that had led me to create my portrait of Rabin back in 1996.

”David

January, 2014

Looking Out

”Looking

“Looking Out”, 2014, 24″ x 24″, pigment ink and acrylic on canvas

This painting depicts looking out on the beautiful Prinsengracht. It is inspired by my recent visit to Amsterdam where looking in and out of windows is a big thing! People in The Netherlands tend not to have the ubiquitous privacy-protecting “net curtains” I grew up with in London. Instead, as I understand the Dutch history (and any Dutch readers please correct me on this), the culture was to show one’s possessions through your windows as a means of establishing status and showing the attributes of wealth. As much as folks like to look in at windows, it is just as interesting when your room overlooks a canal, such as in the old center of Amsterdam, to look out at life going by. People walk and cycle much more in the Netherlands than in America and probably than in most other places in the world, and this activity on the streets makes looking out of a window all the more fascinating.

”Looking

For those interested in media, process and technique, this painting, my first of 2014, was created entirely using Corel Painter X3 on an iMac with a Wacom Intuos5 M pen tablet. I used this painting as an exploratory playground for going through and reminding myself of all fifty Impasto brushes in Painter. The Impasto brushes are designed emulate the effect of applying thick paint on your canvas. The process of creating this painting will be the subject of this month’s video tutorial here on PaintboxTV.com.

I really enjoyed painting the scene through the window. I treated each window pane as a mini-painting and used different combinations of brushes in each.

My artistic inspirations for this painting were primarily the thick ‘impasto’ painting technique of Vincent van Gogh and the focus on pattern, shape and design of some of Henri Matisse’s work. I was also inspired by van Gogh and Matisse’s marvelous bold expressive color and use of outline, and David Hockney’s approach to widening your vantage point and getting away from one point perspective.

If you’d like to see another painting also inspired by my recent Amsterdam visit, please see “Amsterdam Canal”.

January 1, 2014

Amsterdam Canal

”Amsterdam

“Amsterdam Canal”, 2013, 40″ x 26″, pigment ink and acrylic on canvas

This painting was created as part of a tutorial titles “Thick Paint: Inspired by Van Gogh” which you’ll find in the Painter X3 In-Depth section on this site. I love the vistas in Amsterdam as you look down the canals at the bustling life where bicycles, house boats, tall houses and, at this time of the year, beautiful golden leaves, all vie for attention!

Another painting also inspired by my recent visit to Amsterdam is “Looking Out”.

December, 2013