Live iPad Painting at the Smithsonian American Art Museum’s “America Now! Innovation in Art” June 27th, 2015
Final painting created at the event.
Live iPad painting replay video of the art created at “America Now! Innovation in Art” (3m 50s)
On Saturday, June 27th, 2015, between 4pm and 7pm, I performed live iPad painting at the Smithsonian American Art Museum’s “America Now! Innovation in Art” free public event in Washington, D.C. – the finale of the “America Now!” series. I worked on one painting throughout the event, inspired by the scene in the Robert and Arlene Kogod Courtyard. The resulting artwork is shown above. It is an observational painting created directly from scratch freehand, without use of photography. My painting process was displayed realtime on a large LED screen in the beautiful Robert and Arlene Kogod Courtyard of the Museum for attendees to enjoy. The event included electro-swing music from the band Good Co. and DJ Eliazar, which inspired my brush strokes! The band and DJ are both represented in the painting. I used an iPad Air with the app Sketch Club and the styluses Pencil by 53 and the Wacom Intuos Creative Stylus 2, all of which are fabulous tools I highly recommend.
I spent the day before this event in the museum (a building shared with their sister Smithsonian museum, the National Portrait Gallery) sketching and getting inspiration from the incredible art collection, as well as from the magnificent historical National Historic Landmark building in which the collection is housed. It is the third public building constructed in early Washington, D.C., (after the White House and the U.S. Capitol), former home of the Patent Office (from 1840), location of President Lincoln’s second Inaugural Ball, and one that was saved from demolition by an act of Congress. I then created a background, inspired by the collection, on which to begin my painting performance. If you look carefully you may even notice some elements of Malcah Zeldis’ Miss Liberty Celebration (1987), Romare Bearden’s Empress of the Blues (1974) and Marvin Beerbohm’s Automotive Industry (1940, Works Progress Administration commission for the Detroit Public Library) showing through.
Here are some photos from the event:
photo by Bruce Guthrie
photo by Bruce Guthrie
With Jo Ann Gillula, Smithsonian American Art Museum, Chief, External Affairs, center, and, on the right, Betsy Broun, Smithsonian American Art Museum, The Margaret and Terry Stent Director (photo by Bruce Guthrie)
With Kaylin, Katy and Kara from the fabulous museum team before the event.
Here are some comments about my painting performance shared with me on my comments sheet and via email by attendees at this event:
“Truly incredible and inspiring! I now really want to try digital art!”
“Thanks for taking the time to talk to my dad and me at the Smithsonian on Saturday! We loved the entire exhibit, but watching your iPad drawing progress was definitely one of the highlights.”
Thank you and congratulations to the great staff of the Smithsonian American Art Museum who orgnaized this event, and to the generous sponsors of “Innovation in Art” and the “America Now!” series, the Robert and Arlene Kogod Family Foundation.
The concept that paved the way for this performance, in which I built up a painting of the scene throughout the event, was my live digital painting performance using Corel Painter on a MacBook Pro with a Wacom Intuos pen tablet at the Scotiabank Nuit Blanche arts festival in 2014, where my painting was displayed in real time on seven 8′ x 8′ screens along Spadina Street in downtown Toronto.
The painting of the saxophone player reproduced on the Smithsonian web and event pages associated with this event is my portrait of Erv that was created using Corel Painter and a Wacom IntuosPro pen tablet on an iMac.
Coincidentally my alma mater, Pembroke College, Oxford University, was also the alma mater of James Smithson who attended the college in 1782 and whose estate helped establish the Smithsonian Institute. Here’s a photo I took earlier this year of the plaque at Pembroke:
Please note that the web pages reproduced here are screen captures taken on the day before the event. Any blue “links” shown in the images are not live links! I’ve included links to the actual pages though they may have changed since I captured them.
Screen capture of the Smithsonian American Art Museum’s home page:
Screen capture of the Smithsonian American Art Museum’s “Innovation in Art” event calendar entry:
Screen capture of the Smithsonian American Art Museum’s “Innovation in Art” Facebook event:
Screen capture of the Washington Post’s Free Things to Do:
Screen capture of the National Portrait Gallery email letting their list know about the Smithsonian American Art Museum’s event:
Ooops…yellow spot just fell off my shirt onto the floor of the courtyard the day before the event! (..the spot on the floor is actually part of the interactive game installation “Starry Heavens” by Natalie Pozzi and Eric Zimmerman)
Here is the description of the event from the news release on the Smithsonian web site:
“America Now! Innovation in Art”
Saturday, June 27; 4–7 p.m.
Smithsonian American Art Museum
Robert and Arlene Kogod Courtyard
Eighth and F streets N.W.
On Saturday, June 27, the Smithsonian American Art Museum will close the series with “Innovation in Art.” Visitors will be able to explore how artists are using technology to propel their work.
Digital-paint pioneer Jeremy Sutton will paint a la David Hockney-style on an iPad, with the image projected on a large screen using motion-capture technology. Sutton will paint to the beats of electro-swing band Good Co. and DJ Eliazar.
Visitors will be able to wear an Oculus Rift, a virtual-reality headset for 3-D gaming, to explore Craig Gilbert’s 360-degree films, Earthborn Interactive’s games or be transported into artwork by Greg Aring.
In addition, attendees will have the opportunity to play the interactive game Starry Heavens, which debuted at MOMA in 2011. Created by architect Nathalie Pozzi and video-game designer Eric Zimmerman, the giant canopy for the game has been customized for the museum’s Kogod courtyard space to invoke the experience of the northern lights.